Le desordre, c’est moi
Welcome to New York played at the Edinburgh Film Festival, where the accumulated static made the festival take temporary leave of its senses and eventually generated a mighty throng of about two dozen paying customers. Doubtful that any of us have forgotten it since, though. Anyone hyped for a damning indictment of other people is going to be disappointed; as seen above, Gérard Depardieu makes a point of addressing where capitalism’s problems really start. I grappled with the film for Critic’s Notebook. It’s no Go Go Tales; but then what is?