|||

Le desordre, c’est moi

Welcome to New York played at the Edinburgh Film Festival, where the accumulated static made the festival take temporary leave of its senses and eventually generated a mighty throng of about two dozen paying customers. Doubtful that any of us have forgotten it since, though. Anyone hyped for a damning indictment of other people is going to be disappointed; as seen above, Gérard Depardieu makes a point of addressing where capitalism’s problems really start. I grappled with the film for Critic’s Notebook. It’s no Go Go Tales; but then what is?

Up next Sensor snapshot Returning to an old topic, I wrote a piece about recent progress in smartphone camera technology for the fourth issue of the digital magazine Two Days One Night, The Congress, Lucy, Sin City A Dame To Kill For
Latest posts Hypericum Sundance Film Festival 2024 Comics of the year 2023 Films of the year 2023 Golda X-Amount of Comics Edinburgh Film Festival 2023 Stan Lee Tribeca Film Festival 2023 I Am The Law: How Judge Dredd Predicted Our Future Sundance Film Festival 2023 Comics of the year 2022 Films of the year 2022 Sight and Sound Greatest Films poll 2022 Shortwave infrared imaging The Legend of Luther Arkwright Crimes of the Future Luda and Grant Morrison Acting Class and Nick Drnaso Tribeca Film Festival 2022 Tigers and Goal! Project MK-Ultra Zero Fucks Given SXSW Film Festival 2022 High-tech glass inspection The Matrix Resurrections Sundance Film Festival 2022 Comics of the year 2021 Films of the year 2021 Foundation Year, Dune No Time to Die