August 10, 2014

le desordre, c’est moi

Welcome to New York played at the Edinburgh Film Festival, where the accumulated static made the festival take temporary leave of its senses and eventually generated a mighty throng of about two dozen paying customers. Doubtful that any of us have forgotten it since, though. Anyone hyped for a damning indictment of other people is going to be disappointed; as seen above, Gérard Depardieu makes a point of addressing where capitalism’s problems really start. I grappled with the film for Critic’s Notebook. It’s no Go Go Tales; but then what is?


Films


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sensor snapshot Returning to an old topic, I wrote a piece about recent progress in smartphone camera technology for the fourth issue of the digital magazine
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uncool world When film reviews start stressing the word “real” it’s time to dig out the tin helmet, since there’s nothing more fake in narrative fiction films